… and decided to make a movie about Comic-Con, what you would get is this….
Gotta love Kevin Smith….
Comic-Con Episode IV: A Fan’s Hope will hit theaters April 6th.
… and decided to make a movie about Comic-Con, what you would get is this….
Gotta love Kevin Smith….
Comic-Con Episode IV: A Fan’s Hope will hit theaters April 6th.
Alternative histories are big right now. It started with Pride and Prejudice and Zombies and has now morphed into a new literary genre that includes Elizabeth Bennet and Mr. Darcy, Elinor and Marianne Dashwood, the March sisters, Henry VII and even Abraham Lincoln as protectors against the hordes of supernatural marauders.
Well, time to add Franklin Delano Roosevelt to the mix. Somehow he found the time while authoring the new deal and fighting the Axis to kill werewolves for fun. Oh, the Axis *was* comprised of werewolves. It all makes sense now.
Starring Barry Bostwick as FDR, Lin Shaye as Elanor and Ray Wise as General Douglas McArthur, better known as Dougie Mac.
And as an added bonus, here’s the one-sheet for Abraham Lincoln, Vampire Hunter
According to MTV News, Tim Burton is considering filming a much wanted sequel to his 1988 hit Beetlejuice.
No word yet as to whether it would be a direct sequel to the earlier film starring Michael Keaton, Geena Davis, Alec Baldwin and Winona Ryder, but Burton has asked Abraham Lincoln: Vampire Hunter scribe, Seth Grahame-Smith to put some ideas together for a script:
“If you have some idea about it, go for it, and then I’ll look at it freshly.’ In the past, I tried some things, but that was way back when. He seemed really excited about it.”
Grahame-Smith hasn’t turned anything in yet, but Burton is confident that should the right script be developed, Michael Keaton would be up to the task.
“Michael was so great in it. I’m sure he’d strangely tap right back into it.”
That’s not to say that all this is going to happen any time soon. Tim Burton is a very busy man – he’s finishing production of Dark Shadows (Release date: 11 May, 2012), updating his much beloved Frankenweenie as well production duties on Abraham Lincoln, it could be a while before he gets around to Beetlejuice, but the thought that it’s on his mind is soooo exciting.
“Just check them all off till later. Next year, we’ll take a look at them like Santa’s list. I’ll tell you yes or cross them off the list.”
Please keep Beetlejuice on the list! Please! If ever there was a movie that deserved a sequel, it’s Beetlejuice. Pretty Please?
Studio: Paramount Pictures and Columbia Pictures
Starring: Jamie Bell, Andy Serkis, Daniel Craig, Nick Frost, Simon Pegg, Toby Jones
Rating: / 5 Handbags
I wanted to love this movie. I really, Really, *REALLY* wanted to love this movie. I had seen the mixed reviews, but I was hopeful. I figured The Adventures of Tintin might have been too European for North American tastes. But no, I was wrong. It wasn’t a *GREAT* movie. It was a good movie, don’t get me wrong, it’s not horrible, but the magic just wasn’t there.
You have to understand, I grew up on Hergé (Les aventures de Tintin), Goscinny and Uderzo (Astérix et Obélix), Peyo (Les Schtroumpfs) and Chaulet and Craenhals (Les 4 As) – yes, I read them in French. As a matter of fact, I remember getting in fights because some idiot guy would try to take them away from me. Girls weren’t supposed to be interested in such things, at least not good Catholic school girls.
A black eye and a bloody nose took care of that misconception.
At any rate, I was really looking forward to sharing this movie with my kidlets, particularly 5 year old Goober who loves all things pirates.
The movie starts out with a clever conceit, a young man in a market place is having a portait done of himself. Oh look, it’s Hergé and he’s drawn Tintin in cartoon form. Yes, how cute, chuckles all around.
Tintin thanks the artist for the drawing and begins to meander through the crowd, spotting an old model ship, which he buys from the salesperson for half the asking price. This sets off a bidding war between two men who simply *must* have the model. Tintin politely, but firmly declines, taking his model ship home with him. The result is an escalating series of episodes involving dire warnings, break-ins, shootings, kidnappings, a car chase, cows, break-outs, escapes and plane crashes.
So why is it all so boring?
Yes! You heard me! BORING!
*SIGH* Unfortunately, I have to lay all this at the feet of Thomson and Thompson, the two incompetent detectives from Scotland Yard. The Thom(p)sons are in “hot pursuit of a wily pickpocket named Silk, and their escapades interrupts the flow of the mystery swirling around Tintin and his new friend Capitain Haddock. While the interlude works well in the book, and is quite entertaining, it only slows down the action in the movie. And while those familiar with The Secret of the Unicorn and Red Rackam’s Treasure are probably happy to see a familiar face, to those who have had limited exposure to Tintin’s universe would probably find the action horribly, horribly contrived. Omitting The Thom(p)sons would be akin to an act of heresy, however I’m sure that the entire plot device could be wrapped up in such a way as to not drag down the action all the while allowing Thomson and Thompson the opportunity to make an appearance in Bagghar in time to save the day.
Once this thread is dealt with, the pacing of the movie improves exponentially. When you finally get the back story of what happened between Captain Haddock’s ancestor, Sir Francis and Red Rackam does the movie finally pick up steam and move to a satisfying conclusion. The sea battle between the Unicorn and Red Rackam’s ship is definitely worth the price of 3D admission and is as thrilling as any I’ve ever seen.
Technically the film is gorgeous, everything from the color palette, to the design details are, in a word, sumptuous. Nothing has been overlooked, including the scene wipes which rank up there with my favorites from Brotherhood of the Wolf and Highlander. The world that these characters inhabit is so rich and exquisitely rendered that you feel you can reach out and really touch what’s on the screen.
As great as the 3D and CGI are, The Adventures of Tintin does suffer for the technology on occasion. There are a couple of scenes in the movie that I swear are included only because the movie is shot in 3D. I HATE that. 3D should serve the story and enhance the experience, not the other way around. If at any point in a movie, the viewer is taken out of the story to think: “Oh hey! Cool 3D effect”, the director has failed as a story teller. Thankfully, this only happens briefly once or twice in the movie, but it is an unfortunate faut pas.
The truth of the matter is I can sit back and nitpick this movie to death, but it won’t change the fact that Goober, my little 5 year-old adrenaline junkie sat through the entire 107 minute runtime. Once The Adventures of Tintin was over, he walked out of the theater proclaiming: “This is the best movie ever!” and is now curled up, snug and cozy in his bed with a copy of The Secret of the Unicorn tucked under his pillow where he thinks I won’t find it.
And at the end of the day that’s probably all that Peter Jackson and Steven Speilburg are going to care about.
Me too for all it matters.
There is no doubt that sword fighting can be a vicious, brutal form of combat. The damage a blade can do to an unprotected body is staggering. It’s dangerous regardless of which side of the weapon you’re on.
It’s also sexy as hell.
Thrust and parry, lunge and retreat, en guard, riposte all combined to make a sword fight as graceful as it was deadly; a beautiful balance between strength, grace, steel and flesh.
No one knew this better than Bob Anderson, Hollywood’s sword fighting virtuoso who passed away yesterday at the age of 89.
After retiring from competitive fencing in 1952, Bob started working as a stunt man in Hollywood movies, where his first job was to stage fights and coach Errol Flinn in The Master of Ballantrae . Over the years, he became the most sought after fight coordinator and sword master in Hollywood, working continuously for six decades on some of the most notable films of all times including the James Bond films From Russia with Love, Die Another Day, Highlander, The Princess Bride, The Mask of Zorro, the Star Wars Trilogy and Lord of the Rings.
A quiet man, it was years before his true contribution to the Star Wars films was fully known. For years it was believed that he merely coached and choreographed the fight scenes for The Empire Strikes Back and Return of the Jedi. In fact, Anderson was performing in those fight scenes, a fact that George Lucas wanted buried for fear it would adversely affect David Prowses career. The deception did not sit well with actor Mark Hamill, who finally revealed the truth in a Starlog interview in 1983:
“It was always supposed to be a secret, but I finally told (director) George (Lucas) I didn’t think it was fair any more. Bob worked so bloody hard that he deserves some recognition. It’s ridiculous to preserve the myth that it’s all done by one man.”
According to Leon Hill, Anderson’s assistant:
“David Prowse wasn’t very good with a sword and Bob couldn’t get him to do the moves. Fortunately Bob could just don the costume and do it himself.”
Anderson’s best work was arguably done on the Lord of the Rings Trilogy. Not only did he train the actors and choreograph the fight scenes he also developed individual fighting styles for each of the cultures of Middle Earth based on J.R.R. Tolkien’s descriptions in the text. His genius is seen most notably in the Weathertop sequence from The Fellowship of the Ring, where Aragorn fights his first battle against the Ringwraiths. Remember that this was Viggo Mortensen’s first day of shooting, only arriving in New Zealand a few days before. It is a testament to Bob Anderson’s skill as both a choreographer and teacher (and Viggo as a student) that they were able to pull off the scene as amazingly well as they did with so little preparation.
I first became a fan of Anderson’s after seeing the movie Highlander, although I didn’t know it at the time. After seeing the battles between Christopher Lambert and Clancy Brown, I walked away wanting to be able to do that; to dance with a blade whirling around me. It was so fluid and beautiful and I was left in awe.
Rest well Bob. Thank you for the amazing legacy. Think I’m going to download Reclaiming the Blade from Netflix tonight.
Yes, I know, I haven’t been around much….. okay, AT ALL for the last 18 months or so. In my defense, I would like to say this has been a period of immense change in our household and I put aside a lot of things in order to keep this family functioning. That being said, things seem to be on an even keel at least for the time being, so I’m going to once again look at broadening my geeky horizons.
So, it being a new year, I’m going to make some resolutions:
1) To make a minimum of one post per day on this blog.
3) Convince Dylan Meconis (who I met last year – SQUEE!) to reprint Bite Me!
4) Discover one new musician, movie director, or web comic a month
5) Try one new recipe a week and cook one vegetarian meal a month
6) Start work on my steampunk costume
So, I think that should keep me busy along with all the other stuff that being a working mom entails.
Enjoy the year. It’s looking to be a good one.
…go see Scott Pilgrim vs. the World.
I’m heading to Stratford tomorrow to see The Tempest – yes, I am also a theater geek, and I make no apologies for it. Besides, General Chang is in it, so I really need to see this play. But I digress….
I am serious about Scott Pilgrim, it’s an absolutely great film. Besides, do you really want the horrific Eat, Pray, Love to hit top spot this weekend?
Yes, the review is forthcoming. I promise. Just go see it, please? You won’t be disappointed.
Here’s the trailer:
Here’s the trailer faithfully recreated using the images from the graphic novel for all you uber-geeks out there:
Yeah, I know I haven’t been posting a lot. OKAY! I haven’t been posting at all. In my defense, this new job is really taking it out of me and I’ve had some health issues to deal with. Nothing serious, but they still need to be addressed. Hopefully I’ll be back to blogging regularly in September.
In the mean time, here’s The Princess Bride, with cats!
I snagged this recipe from Starline Hodge’s webcomic site, Candi – A College Story.
You should definitely check the strip out. It’s a lot of fun, has some great characters, and depicts parts of my university career with aching clarity, episodes that I think are universal to anyone who’s pursued higher learning at any institution.
Most of which I think a lot of us would would much rather forget.
At any rate, thanks Starline!
1 cup (8 oz) club soda or cream soda
½ cup (4 oz) butterscotch syrup (ice cream topping)
½ tablespoon butter
Step 1: Measure butterscotch and butter into a 2 cup (16 oz) glass. Microwave on high for 1 to 1½ minutes, or until syrup is bubbly and butter is completely incorporated.
Step 2: Stir and cool for 30 seconds, then slowly mix in club soda. Mixture will fizz quite a bit.
Step 3: Serve in two coffee mugs or small glasses; a perfectly warm Hogwarts treat for two!
Yummy! And to work up your appetite, here’s the latest trailer for Harry Potter and The Deathly Hallows, Parts 1 & 2.
“…In the long run, we’re all dead anyway.”
– Harvey Pekar, The Quitter, 2005
Harvey Pekar, the genius author behind American Splendor has died. He was 70 years old.
Pekar began his chronicle of everyday life in 1976 while he was working as a file clerk at Cleveland’s Veterans Hospital. American Splendor was an unflinching look at Pekar’s mundane and seemingly pointless interactions between himself and co-workers and hospital patients. As it evolved, American Splendor became an ongoing biography of Harvey’s life, his trials, foibles, worries and anxieties, eventually expanding to include his relationships with his wife Joyce Brabner and his adopted daughter Danielle. Harvey never pulled any punches, most notably when writing about his fight against lymphoma in ‘Our Cancer Year’, published in 1994. He would go on to write about jazz, the artists with whom he collaborated, the making of the movie American Splendor staring Paul Giamatti, and the wartime experiences of his friend and coworker Robert McNeill in Vietnam.
Pekar worked with some of the greatest comic artists of this century to produce American Splendor including: R. Crumb, Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. More recently Harvey teamed up with artists Dean Haspiel and Josh Neufeld and cartoonists Jim Woodring, Chester Brown, Alison Bechdel, Gilbert Hernandez, Eddie Campbell, David Collier, Drew Friedman, Ho Che Anderson, Rick Geary, Ed Piskor, Hunt Emerson, Bob Fingerman, Alex Wald and even legendary comics writer Alan Moore.
It was R. Crumb who first started working with Pekar on what would become American Splendor after they met in 1962. It was Harvey’s contention that comic books could be used to tell more than formulaic fantasy stories, that they could be something more:
When I was a little kid, and I was reading these comics in the ’40s, I kind of got sick of them because after a while, they were just formulaic. I figured there was some kind of a flaw that keeps them from getting better than they are, and then when I saw Robert Crumb’s work in the early ’60s, when he moved from Philadelphia to Cleveland, and he moved around the corner from me, I thought ‘Man, comics are where it’s at’.
Always irascible and opinionated, Pekar appeared multiple times as a guest on Late Night with David Letterman during the 1980’s until he was banned for wearing a t-shirt declaring himself to be “On Strike Against NBC”, railing against NBC’s parent company GE and accusing Letterman himself of being a corporate shill. According to Harvey:
[W]ith Letterman … you either lay down and let him insult you or you do something about it. Most people keep their mouth shut and let him dump on them. I don’t wanna do that.
Goodbye Harvey, you were authentic, original and thought provoking. We were all much better for having know you. You shall be missed.